In between recent creative projects, I finally gave some much-needed attention to a corner of my digital presence that I’d neglected for years—my LinkedIn profile.
I’ve had it for over two decades, but it remained almost willfully minimalistic. Sparse. Mysterious, perhaps. It certainly didn’t reflect the breadth of my work, or the clients and collaborators I’ve been fortunate to partner with over the years. I’m happy to share that it’s now fully updated—with a professional new header, an accurate timeline, and over 40 detailed project entries complete with media and visuals.
What You’ll See There Now
The header alone already gives you a strong sense of what I do:
“Illustrator & Creative Director | Cartoons, Mascots, Business Comics & Character Design | Branding, UX/UI, Storytelling & Motion | Available Worldwide”
Below that, you’ll find a growing library of case studies, media files, and a concise look into the work that clients trust me with—from Switzerland to Germany to France, and beyond.
Based in France – Working Globally
My name is Ian David Marsden, and I’m a Swiss illustrator, character designer, and creative director. I’m currently based in Claret, near Montpellier, in the beautiful Pic Saint Loup region of southern France. This is where my fully equipped studio is located, and where most of my visual and storytelling work is conceptualized and produced.
While my location is France, my clients are international. I’m perfectly bilingual in English and German, and I also work with a full business-level proficiency in French. Whether it’s a wine label for a domaine in the Languedoc, a mascot for a startup in Berlin, or an editorial illustration for a Swiss publisher, I bring cross-cultural awareness, professional fluency, and artistic clarity to each project.
Découvrez PILLAGE autour du Pic : Une Aventure Unique au Cœur du Pic Saint-Loup
Disponible maintenant dans la boutique L’Esprit du Pic, Place de l’Hermet à 34270 Claret
Plongez dans cette quête épique avec PILLAGE autour du Pic. Ce jeu de société captivant, où stratégie et observation se mêlent à l’exploration, vous invite à incarner des aventuriers prêts à affronter mille dangers et énigmes pour découvrir des richesses oubliées.
L’univers visuel de PILLAGE autour du Pic est sublimé par Ian David Marsden, un illustrateur et graphiste de renommée internationale, installé à 34270 Claret. Ses illustrations vibrantes donnent vie aux personnages et aux paysages, transportant les joueurs dans un monde coloré et immersif. Avec un style unique alliant précision et créativité, Ian a su capturer l’essence du Pic Saint-Loup, créant une esthétique aussi captivante que le gameplay lui-même. Ses contributions artistiques apportent une dimension visuelle exceptionnelle au jeu, transformant chaque partie en une véritable expérience sensorielle.
Discover my Behance Illustration, Logo Design and Explainer Video Portfolio
I am thrilled to present my Behanceportfolio, a vibrant showcase of my journey as a professional illustrator, cartoonist, and designer. This portfolio represents my diverse expertise, including editorial illustration, mascot design, explainer videos, and custom branding solutions. Each project is created with passion, precision, and a focus on storytelling—whether it’s a hand-drawn editorial cartoon, a corporate mascot, or a fully animated explainer video for businesses.
Tirage d’art exclusif de Claret signé Ian David Marsden.
Une illustration vibrante et élégante, disponible à L’Esprit du Pic à Claret.
Réalisée dans un style élégant et artistique, cette illustration apporte une touche de sophistication et de fierté locale, parfaite pour décorer un intérieur ou offrir un cadeau unique à un amateur d’art ou de patrimoine local.
Ce tirage d’art encadré, ainsi qu’une gamme d’articles comme des cartes postales, magnets, agendas et autres, est disponible exclusivement a la carterie et imprimerie “L’Esprit du Pic”, située au 95 Pl. de l’Hermet, 34270 Claret. Gérée par Christophe Malval, cette boutique locale met à l’honneur des créations uniques et artisanales, parfaites pour célébrer notre région.
Illustrateur et dessinateur installé près du Pic Saint Loup
Je suis illustrateur et dessinateur freelance basé à Claret (34270), un village viticole proche de Montpellier, dans la région du Pic Saint Loup. Depuis près de 20 ans, je m’inspire des paysages et de la vie quotidienne de cette région qui m’a profondément marqué. À travers mes illustrations, je cherche à capturer la convivialité et le charme unique de cet endroit que je suis heureux de pouvoir appeler chez moi.
Mon approche artistique
Originaire de Los Angeles, j’ai découvert ici un rythme de vie différent, empreint de chaleur humaine et de simplicité. Mon travail, mêlant dessins faits à la main et aquarelle, s’adapte à une grande variété de projets : de l’illustration éditoriale à la publicité, en passant par les bandes dessinées et les livres pour enfants.
Quelques créations autour du Pic Saint Loup
“La vie en rose” : Deux amoureux en Vespa se dirigent vers un pique-nique romantique avec, bien sûr, un rosé local dans leur panier.
Quand l’Illustration, la Charité et Montpellier se réunissent
Je suis ravi de partager un récent événement où l’illustration, la charité et la magnifique région de Montpellier se sont rencontrés. Mon parcours créatif en tant qu’illustrateur freelance expérimenté, dessinateur de presse, et auteur de bandes dessinées a pris racine a Vacquières dans la pittoresque région du Pic Saint Loup, non loin de la belle ville de Montpellier. Montpellier est non seulement le siège de la French Tech, mais aussi un pôle d’attraction pour les créatifs, les programmeurs et les experts en technologie cherchant à lancer les start-ups de demain, tout comme les futurs Googles et Apples.
Pendant les 18 dernières années, j’ai eu le plaisir de collaborer avec des clients non seulement en France, mais aussi dans toute l’Europe et aux États-Unis.
J’ai été approché par Arnaud Ellul, le président du Club Alliance Pro (Hérault 34), affectueusement connu sous le nom de CAP34, un “Club Business” et un collectif d’entrepreneurs dévoués de la région de Montpellier-Hérault. Arnaud a demandé si je serais intéressé à contribuer une œuvre d’art pour une vente aux enchères silencieuse lors d’un Gala organisé au Pasino de Maugio le 23 novembre 2023. Cet événement s’est démarqué car il présentait une vente aux enchères remarquable, mettant en avant divers objets et œuvres d’art offerts par des artistes locaux talentueux. Ce qui a distingué cette vente aux enchères, c’est sa noble cause : tous les bénéfices étaient dédiés aux Restos du Cœur.
Fondés par Coluche en 1985, Les Restos du Cœur, association reconnue d’utilité publique, « ont pour but d’aider et d’apporter une assistance bénévole aux personnes démunies, notamment dans le domaine alimentaire par l’accès à des repas gratuits, et par la participation à leur insertion sociale et économique, ainsi qu’à toute action contre la pauvreté sous toutes ses formes.
Your first consultation is always completely free. This is an opportunity to discuss your project in detail, explore creative ideas, and ensure we are perfectly aligned before moving forward.
Transparent Flat Rates
I believe in providing clear, predictable pricing. Once we discuss your project, I will calculate a flat rate tailored specifically to your needs.
• No Surprises: The flat rate includes all work, revisions, and desired usage rights. There will be no additional charges or overtime fees.
• 30-Day Guarantee: Your quote will remain valid for 30 days. Once agreed upon, the flat rate will be respected, ensuring you know exactly what to expect.
How I Set My Rates
My pricing is based on established industry standards and reflects the value of high-quality creative work. As a professional illustrator, designer, and animator, I align my rates with the guidance of respected organizations and industry benchmarks (please see links below). These rates account for the time, skill, and expertise required to create unique, impactful work tailored to your needs.
What Influences Pricing?
1. Scope of Work
The size, complexity, and specific requirements of your project, such as detailed illustrations or animation sequences.
2. Usage Rights
The intended use of the work (e.g., local, national, or international campaigns) and whether you need exclusive rights. Licensing fees are calculated based on established industry multipliers.
3. Revisions and Timeline
The number of revisions included in the project and the delivery schedule can influence pricing for projects with tight deadlines or extended iteration cycles.
4. Country and Region
Pricing reflects regional market standards to ensure fairness and competitiveness. In each case, the pricing is based on local pricing guidelines provided by trusted organizations. Please see the links below for more details.
Trusted Industry Sources
My pricing is informed by the following trusted organizations and resources:
Pricing and trends in motion graphics and animation.
Why Choose Me?
Working with clients globally, I provide creative solutions adaptable to various timelines and budgets. With extensive experience partnering with major brands and projects across Switzerland, Germany, France, and beyond, here’s why clients keep coming back:
• Professional Quality: Years of experience with top brands ensure you receive polished, high-quality work.
• Adaptable Pricing: Options for every budget without compromising on quality.
• Dedicated Attention: Your project will receive the focused, personalized care it deserves.
• Global Expertise: Benefit from decades of experience across international markets.
• Transparent Pricing: Your investment is supported by clear, reliable rates based on global standards.
Creating Concept Drawings for the Volkswagen Sedric Concept Car Presentation at CEBIT 2018 *
As an illustrator, I encounter various projects, each offering distinct challenges and creative opportunities. One particular project that holds a significant place among my favortes is the creation of concept drawings for the Volkswagen Sedric Concept Car presentation at CEBIT 2018. These drawings aimed to convey a compelling narrative, capturing the essence of this innovative concept car in a visually engaging manner. Familiar with the unpredictable nature of creative projects, I embraced the challenge when the assignment came on short notice. Time constraints were no obstacle for me, as I thrive in such situations, drawing upon experience and adaptability to deliver results swiftly and effectively.
The Volkswagen Sedric self-driving concept car is a pioneering innovation in the automotive world, representing a glimpse into the future of mobility. Designed with a focus on autonomous driving technology, the Sedric Concept Car aims to redefine the way we perceive transportation. This revolutionary vehicle embodies Volkswagen’s commitment to innovation, sustainable transportation, and cutting-edge design. With its sleek, futuristic appearance and state-of-the-art autonomous capabilities, the Sedric Concept Car is not just an automobile; it’s a visionary step towards a new era of transportation that prioritizes safety, convenience, and environmental sustainability.
Advertising Illustration for Künzli Optik Switzerland
In the world of advertising illustration, let’s explore a captivating scenario where eyeglasses have the remarkable ability to transform everyday people into potential celebrities. This imaginative concept found its way to my drawing board, thanks to Creative Director Daniel Matter from the respected advertising agency Matter & Gretener.
I’m Ian David Marsden, an experienced illustrator passionate about visual storytelling. I had the privilege of bringing this compelling idea to life. The task was clear: create minimalist illustrations that delicately balanced intrigue and recognition. The goal was simple – to make you ponder, “Could that be…?”
The outcome? Four remarkable posters and ads that captivated audiences and sparked conversations. Thoughtfully placed in prominent publications, on trams, in public transport, and along roadside billboards, these posters themselves became optical illusions. With a subtle touch, they left you wondering, “Hey, isn’t that a familiar face?”
I am frequently consulted by my clients to assist with marketing and advertising projects, with concepts and ideas, layouts and graphic design suggestions as well as of course drawings and illustration elements.
AN2V, the Association Nationale de la Vidéoprotection approached me for a very interesting project. Founded in 2004 by Dominique LEGRAND, this remarkable association was established to address the growing need for the exchange of experiences in the field of security technology. At the time, video surveillance, which we now call videoprotection, lacked structure, and many users were grappling with the challenges of deployment.
What sets AN2V apart is its unique combination of “demand” from both public and private users, along with companies offering products and services in the realm of security technologies. AN2V is truly one of a kind, and I was privileged to collaborate with them.
AN2V presented me with an exciting challenge – to create three distinctive, large-scale Kakémono display banners, each measuring 2.10 meters by 0.85 meters. These banners were designed to represent three key facets of AN2V’s activities: training, the association itself, and the universities they organize.
Two of the AN2V Kakemono banners on display at a tradeshow
Hello, fellow design enthusiasts and crepe and galette lovers! It’s Ian David Marsden once again, taking you on another delightful journey through the design process of one of my favorite projects: the logo for “La Normande Dine”.
When you think of Montpellier and the Pic St Loup region, it’s easy to get lost in the visual design choices between modern French Tech and old-world charm. Diving deeper into the essence of “La Normande Dine”, what truly added depth and flavor to this design venture was the authenticity at its core. The crepes and galettes aren’t just inspired by Normandy – they are the real deal, genuine Normandy delights.
As we celebrate the holiday season, I’m excited to share with you a project that truly captures the spirit of joy and togetherness. I had the distinct pleasure of working once again with AN2V, the Association Nationale de la Vidéoprotection. Established in 2004 by Dominique LEGRAND, AN2V stands as the foremost authority on videosurveillance and videoprotection in France. Their commitment to facilitating the exchange of experiences in the field of security technology is both impressive and inspiring. AN2V’s unique approach, bridging the needs of public and private users with the expertise of security technology companies, sets them apart as true innovators in their field.
Now, let me take you on a journey into the heart of the holiday season. I am delighted to introduce you to an elegant and captivating animated holiday card I had the pleasure of bringing to life. This enchanting card features the newly designed 3D version of AN2V’s logo, representing the evolution of their visual identity, which I had previously crafted for the client. Picture a serene winter night, where a charming chalet stands amidst a blanket of snow, surrounded by towering pine trees. Warm light spills from the chalet’s windows, casting a gentle glow on the pristine snow below. In the foreground, a beautifully adorned Christmas tree adds a touch of festive magic, while a welcoming wreath graces the chalet’s door. AN2V’s logo rests gracefully in the snow, bathed in the soft radiance of the holiday season. What sets this animated card apart is its timelapse transformation, evolving from intricate black lines into a vibrant, heartwarming scene that captures the essence of the season.
