GRAPHIC NOVEL MARVIN
BASED ON
"THE WAY I WAS"
Marvin tells the extraordinary story of composer Marvin Hamlisch, adapted and illustrated by Ian David Marsden from The Way I Was. Born to parents who escaped Nazi-occupied Austria, Marvin was accepted into the Juilliard School at just six years old. Behind his talent was a boy who struggled with stage fright and self-doubt—but who never gave up. By his teens, he had his first radio hit, wrote songs for a young Liza Minnelli, and soon collaborated with Barbra Streisand on Funny Girl. Marvin went on to become only the second person ever to earn the rare PEGOT (Pulitzer, Emmy, Grammy, Oscar, and Tony), leaving a legacy of unforgettable music. Published by Schiffer Kids (2020).
CHILDREN'S BOOK NO WAY!
A SCAREDY CAT
ADVENTURE
Every time his friends suggest an outing — to a museum, a trail, or even a picnic — Scaredy Cat imagines the worst…

A humorous look at worry, creativity, and cautious courage. Coming 2025

Written & Illustrated by Ian David Marsden

NONFICTION WILKOMMEN
IM
KOLLEGENZOO
25 animal-based coworker archetypes brought to life through expressive design. A visual satire of modern office dynamics. Published by Droemer Knaur | Knaur Verlag (2009)

Character designs and illustration Ian David Marsden
Written by Markus Steinhaus

CHILDREN'S BOOK THE
SECRET
EGG
A rhyming storybook for early readers about a colorful egg found on a bus— featuring a gentle poetic rhythm and a friendly baby dragon, designed to support reading clarity and flow.

Ransom Reading Stars
Published by Ransom Publishing (2015)

llustrated by Ian David Marsden
Written by John Townsend.
GRAPHIC ANTHOLOGY THE
FOOTBALL HERO
SERIES
Football Heroes Series (2006, 2008, 2012)
I was one of the only illustrators invited to participate in all three Football Heroes editions — large-format collectible books celebrating international football through portrait illustration and caricature.

Featuring over 700 illustrations by top artists from across Europe, the series includes national teams from the World Cup, UEFA Euro finals, and historic squads. Published by Herzglut Verlag, these books remain landmark projects in sports illustration and design.
CARTOON COLLECTION ZÜRICH
MY LITTLE
TOWN
At 16, after submitting cartoons since I was 14 (or younger), they finally gave up and bought some — and I became the youngest cartoonist ever published in Nebelspalter. A few years later, the iconic Swiss satire magazine invited me to create my first book: a collection of cartoons capturing the quirks and character of the town I grew up in. Both observational and personal, it blends humor, civic life, Swiss quirks, and illustrated storytelling from the inside out.

Zürich, my little town By Ian David Marsden
Nebelspalter Verlag (1988)
CHILDREN'S BOOK THE
USELESS
THING
A curious, retro-style picture book in the spirit of Edward Gorey and Shel Silverstein. When a strange, useless thing falls out of a tree, it seems to have no purpose at all — until a family takes it in and shows that love doesn’t require explanation.

A gently absurd story about belonging, kindness, and quiet meaning.

Written & Illustrated by Ian David Marsden · 2014
Cover of No Way! children’s book by Ian David Marsden featuring Scaredy Cat in various scenes Cover of Marvin graphic novel by Ian David Marsden, depicting composer Marvin Hamlisch in conversation Book cover for The Secret Egg showing baby dragon and egg, illustrated by Ian David Marsden Animal metaphors for office personalities: Ablagemaus, Abteilungshai, Aktenwurm from Kollegenzoo Illustrated covers for Football Heroes See Red and Gold featuring bold football graphics and team portraits Cover of Zürich, My Little Town cartoon book by Ian David Marsden with montage of hand-drawn characters Cover of picture book “The Useless Thing” by Ian David Marsden featuring striped character

Books · Lehrmittel · Corporate publications · Covers · Interior illustration · Sequential storytelling · English · German · French

Book Illustration, Children’s Books & Graphic Novels

Illustration built to live across pages, not just on one.

I create illustration for books, publishing and longer-form visual communication — from children’s books, graphic novels and illustrated nonfiction to Lehrmittel, educational publications, cartoon collections, anthologies and internal or external company publications. Some projects begin with a finished manuscript; others involve developing the characters, visual language and narrative structure from the beginning.

Character development · Covers · Interior illustration · Sample spreads · Sequential storytelling · English · German · French

What You’ll Find Here

Different kinds of books need different kinds of illustration

The archive includes published books, children’s characters, early-reader illustration, graphic-novel pages, illustrated nonfiction, cartoon collections, anthology work, covers, interior spreads and author-illustrator projects in development.

Children’s Books & Early Readers

Expressive characters, clear staging, emotional readability and imagery appropriate to the age of the reader.

Author-Illustrator Projects

Projects where story, character and image are developed together rather than passed from one discipline to another.

Graphic Novels & Sequential Books

Pacing, dialogue, page turns, scene changes and character continuity sustained across a complete narrative.

Illustrated Nonfiction

Character systems, humour and visual structures that help organise a subject across an entire publication.

Anthologies & Collective Editions

Individual illustration developed to work within a wider editorial framework shared with other contributors.

Cartoon Collections

Books built from satire, observation and recurring themes rather than one continuous narrative.

Across a Whole Book

A book needs a visual language, not a pile of illustrations

A strong individual picture is useful. A book requires something more: consistency across dozens of decisions.

Characters, proportions, environments, colour, page density, text-image relationships, viewpoints and visual rhythm all need to belong to the same world. That visual language is usually established early so that later pages feel related without becoming repetitive.

Published Projects

Books made for very different readers

The role of illustration changes with the book. A graphic biography, an early reader and an illustrated nonfiction title may all require character and storytelling, but they do not need the same visual solution.

Graphic Biography · Author & Illustrator

MARVIN — building a life across pages

MARVIN: Based on The Way I Was, published by Schiffer in 2020, is a full-length graphic biography that I wrote and illustrated based on the life of composer Marvin Hamlisch.

The work involved much more than drawing individual scenes: selecting and structuring biographical material, compressing time, developing recurring characters, balancing dialogue with image and maintaining continuity across the complete book.

It sits at the intersection of authorship, illustration and sequential storytelling, and is one of the clearest examples of how I approach long-form narrative work.

View more from MARVIN →

Interior spread from MARVIN by Ian David Marsden showing family-history scenes in Vienna and New York
MARVIN — graphic biography written and illustrated by Ian David Marsden.
Interior pages from The Secret Egg showing cat and baby dragon characters illustrated by Ian David Marsden
The Secret Egg — commissioned children’s-book illustration for developing readers.

Children’s Publishing · Early Readers

The Secret Egg — clarity, character and continuity

Written by John Townsend and published by Ransom Publishing as part of the Reading Stars series, The Secret Egg was created for developing readers.

The baby dragon and cat characters needed to communicate immediately through expression, gesture and simple staging. Character consistency is particularly important in this kind of book because the reader has to recognise the figures and understand what is happening from page to page without visual friction.

Illustrated Nonfiction · Character System

Willkommen im Kollegenzoo — 26 characters, one visual system

Written by Markus Steinhaus and published by Droemer Knaur in 2009, Willkommen im Kollegenzoo turns recognisable office personalities into a cast of animal archetypes.

I developed the complete illustrated character system. Each figure needed a distinct personality and silhouette while still belonging to the same visual family. The characters structure the book rather than simply appearing as decoration around the text.

Animal character designs for Willkommen im Kollegenzoo by Ian David Marsden representing different office personalities
Willkommen im Kollegenzoo — a complete cast developed to organise an illustrated nonfiction book.
Caricature portraits of international football players from the Football Heroes anthology series by Ian David Marsden
Football Heroes — portrait and caricature work created across three international anthology editions.

International Illustrated Anthology Series

Football Heroes — illustration within a larger collection

The Football Heroes series brought together international illustrators to interpret major figures from world football through portraiture, caricature and collectible graphic design.

I contributed to all three books — Football Heroes (2006), Football Heroes See Red! (2008) and Football Heroes Gold (2012). The work needed to retain an individual illustrative voice while remaining compatible with a much larger international collection.

Cartoon Collection · First Book

Zürich, My Little Town — an illustrated city observed from close range

Published by Nebelspalter-Verlag in 1988, Zürich, My Little Town was my first book: an 80-page collection of cartoons about Zürich, everyday behaviour and local absurdities.

The archive includes material from throughout the book — city scenes, café life, local institutions and cultural references — rather than only the cover. It belongs to an early period of my career, but the observation, character and economy remain recognisable in my later work.

Cover of Zürich, My Little Town, Ian David Marsden's 1988 cartoon collection published by Nebelspalter-Verlag
Zürich, My Little Town — Nebelspalter-Verlag, 1988.

Three Ways I Work on Books

The role can begin at different points

Illustrating an Existing Manuscript

The author or publisher supplies the text and I develop the characters, visual interpretation and finished illustration around it.

Author & Illustrator

Story and image develop together, allowing visual ideas to influence the writing and vice versa.

Visual Development

Character systems, sample pages, cover directions and visual concepts developed before a full publishing production begins.

Children’s Book Projects in Development

Author-illustrator concepts and character worlds

These projects are not published titles. They are children’s-book concepts I am developing as author and illustrator, and the gallery includes further character work and narrative scenes from both.

In Development · Author & Illustrator

No Way!

Scaredy Cat walking through wind and rain with falling autumn leaves, from No Way! by Ian David Marsden

No Way! centres on Scaredy Cat, a character whose imagination has a habit of turning ordinary situations into reasons for considerable concern.

The drawings explore anxiety, imagination and cautious courage through exaggerated reactions, expressive poses, supporting characters and a visual world that remains consistent across different scenes.

In Development · Author & Illustrator

The Useless Thing

The Useless Thing character looking over a commuter's newspaper on the subway, illustrated by Ian David Marsden

The Useless Thing is a children’s-book concept built around an odd little creature whose apparent lack of practical purpose becomes the point of the story.

The project explores belonging, kindness and the idea that being valued does not depend on being useful. The character work is intentionally simple, warm and emotionally readable.

From Manuscript to Finished Publication

Establish the visual language before producing the whole book

Longer publishing projects benefit from solving the important visual questions early.

Depending on the project, my role can include visual research, character development, style exploration, thumbnail layouts, sample spreads, page composition, cover concepts, finished illustration and preparation of production artwork.

1. Read & define
Audience, tone, format and the role of the images.

2. Develop
Characters, environments and visual language.

3. Test
Rough pages, thumbnails and sample spreads.

4. Produce
Finished interiors, covers and production artwork.

Working Together

For publishers, authors, editors & art directors

Some commissions arrive with detailed art direction. Others begin with a manuscript and a discussion about character, tone, reader age, page count and what the pictures need to contribute.

I work directly with publishers, editors and authors internationally in English, German and French. For longer projects, sample pages and character development provide a useful shared reference before full production begins.

Related illustration work

Book projects often overlap with sequential storytelling, educational publishing and character development. Those areas have their own deeper portfolio sections.

Publishing & Long-Form Illustration

Illustration for publications, learning materials and longer-form communication

I work with publishers, agencies, companies and institutions on illustrated publications, educational material, Lehrmittel, internal communication, booklets and other projects where images need to work coherently across more than a single page.

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